SMASHING PUMPKINS

Tablature mayonaise

The Smashing Pumpkins
Pop/Rock
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Format : Mayonaise, The smashing pumpkins
Version #2787518 mise en tablature par Inconnu
Difficulté : 5/10

Mayonaise, The smashing pumpkins

#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------## Received: from pobox.ucs.umass.edu (pobox.ucs.umass.edu [128.119.166.150]) by post-office.nevada.edu (8.6.4/8.6.4) with ESMTP id KAA00879 for <jamesb@nevada.edu> Sun, 27 Feb 1994 10:14:44 -0800 Received: from twain.ucs.umass.edu by pobox.ucs.umass.edu (PMDF V4.2-14 #2573) id <01H9DQP46SO000MP1H@pobox.ucs.umass.edu> Sun, 27 Feb 1994 13:12:56 -0500 Received: from localhost (cthrall@localhost) by twain.ucs.umass.edu (8.6.4/8.6.4) id NAA16321 for jamesb@nevada.edu; Sun, 27 Feb 1994 13:12:54 -0500 Date: Sun, 27 Feb 1994 13:12:54 -0500 From: "My name is CRAIG." <cthrall@titan.ucs.umass.edu> Subject: Smashing Pumpkins - Mayonaise To: jamesb@nevada.edu Message-id: <199402271812.NAA16321@twain.ucs.umass.edu> Content-transfer-encoding: 7BIT Mayonaise - Transcribed by Jon Powell This song is fairly easy as it only has a few chord progressions. On the recording, the tuning is down a half step. I'm going to show it as I play it normally, in B major. The first riff is clean. play this rhythm twice. Bsus2 --------------------------|--------------------------| --------2-----4-----2-----|--------2-----4-----2-----| -----------------4--------|-----------------4--------| -----4-----4-----------4--|-----4-----4-----------4--| --2-----------------------|--2-----------------------| --------------------- --------------------------|--------------------------| C#min7 Emaj7sus2 --------------------------|--------------------------| --------------7-----4-----|--------------7-----------| --------4--------------4--|--------8-----------8-----| -----6-----6-----6--------|-----9-----9-----9-----9--| --4-----------------------|--7-----------------------| --------------------------|--------------------------| then go to this. C#min7 E --0----0---0--0-0-0--0-0-0|--0----0---0--0-0-0--0-0-0| --0----0---0--0-0-0--0-0-0|--0----0---0--0-0-0--0-0-0| --6----6---6--6-6-6--6-6-6|--9----9---9--9-9-9--9-9-9| --6----6---6--6-6-6--6-6-6|--9----9---9--9-9-9--9-9-9| --4----4---4--4-4-4--4-4-4|--7----7---7--7-7-7--7-7-7| --------------------------|--0----0---0--0-0-0--0-0-0| then this Bsus4 G#min7 --0--0-0---0---0---0-0-0--|--4--4-4---4---4---4-4-4--| --0--0-0---0---0---0-0-0--|--4--4-4---4---4---4-4-4--| --4--4-4---4---4---4-4-4--|--4--4-4---4---4---4-4-4--| --4--4-4---4---4---4-4-4--|--4--4-4---4---4---4-4-4--| --2--2-2---2---2---2-2-2--|--6--6-6---6---6---6-6-6--| --------------------------|--4--4-4---4---4---4-4-4--| and then Emaj N.C. Emaj N.C. --0--------0------------0-|--0--------0--------------| --0--------0------------0-|--0--------0--------------| --1--------1-8/98------1-|--1--------1-8/98--------| --2--------2------------2-|--2--------2--------------| --2--------2-6/76------2-|--2--------2-6/76--------| --0--------0------------0-|--0--------0--------------| these riffs are heavily distorted Rhy. Fig #1 Bsus4 G#min7 --0----0---0--0-----------|--4----4---4--4-----------| --0----0---0--0-----------|--4----4---4--4-----------| --4----4---4--4-----------|--4----4---4--4-----------| --4----4---4--4-----------|--4----4---4--4-----------| --2----2---2--2-----------|--6----6---6--6-----------| --------------------------|--4----4---4--4-----------| Emaj N.C. Emaj7 N.C. --0--------0------------0-|--0--------0--------------| --0--------0------------0-|--0--------0--------------| --1--------1-8/98------1-|--1--------1-8/98--------| --2--------2------------2-|--2--------2--------------| --2--------2-6/76------2-|--2--------2-6/76--------| --0--------0------------0-|--0--------0--------------| End rhy. Fig #1 Play Rhy. Fig #1 again, but instead of playing the last measure as written, play this. Fill # 1 --0----0---0--------------| --0----0---0--------------| --1----1---1-13/1413-----| --2----2---2--------------| --2----2---2-11/1211-----| --0----0---0--------------| For the first verse, play Rhy. Fig #1 two times and on the second time, play Fill# 1. After that, play this twice C#min7 Amaj Bsus4 --0----0---0--0--0------0-|--0---0--0------------0---| --0----0---0--0--0------0-|--2---2--0------------0---| --6----6---6--6--6------6-|--2---2--4------------4---| --6----6---6--6--6------6-|--2---2--4------------4---| --4----4---4--4--4------4-|--0---0--2------------2---| --------------------------|--------------------------| then play this F#min E --2----2----2--2--X----0--|---0------0-0-0-0-----0-0-| --2----2----2--2--X----0--|---0------0-0-0-0-----0-0-| --2----2----2--2--X----1--|---1------1-1-1-1-----1-1-| --4----4----4--4--X----2--|---2------2-2-2-2-----2-2-| --4----4----4--4--X----2--|---2------2-2-2-2-----2-2-| --4----2----2--2--X----0--|---0------0-0-0-0-----0-0-| and then this F#min A --2----2----2--2--X----0--|---0--0---0-0-0-0-----0-0-| --2----2----2--2--X----2--|---2--2---2-2-2-2-----2-2-| --2----2----2--2--X----2--|---2--2---2-2-2-2-----2-2-| --4----4----4--4--X----2--|---2--2---2-2-2-2-----2-2-| --4----4----4--4--X----0--|---0--0---0-0-0-0-----0-0-| --2----2----2--2--X-------|--------------------------| The x's across the board represent the beautifully innovative feedback played there. This is accomplished by having your amp turned pretty loud; I have a 40 watt amp, and this usually works with the volume at 4 or higher, gain all the way up. The amp should be at about the same height as the pickups, or you'll have to duck down until they are. Stand about one foot away from the amp and mute all the strings with your picking hand. Try not to cover up the pickups, since this might lessen the effect. You should hear a high-pitched shriek from your amp that sounds close to that on the tape. Work with your pickups until you get a good sound, Single coil pickups work better than humbuckers, especially the middle single coil. It also helps if the tone control on your guitar is all the way up. Two guitars doing this at the same time will produce a good harmony like on the tape. Practice this effect using different distances away from the amp. It should change pitch as you move. For the second verse, play Rhy. Fig #1 twice, and the second time, play Riff#1 after that, play this twice Rhy. Fig #2 Bsus2 G#min7 --0----0---0-0-0-0----0-0-|--4----4---4-4-4-4----4-4-| --0----0---0-0-0-0----0-0-|--4----4---4-4-4-4----4-4-| --4----4---4-4-4-4----4-4-|--4----4---4-4-4-4----4-4-| --4----4---4-4-4-4----4-4-|--4----4---4-4-4-4----4-4-| --2----2---2-2-2-2----2-2-|--6----6---6-6-6-6----6-6-| --------------------------|--4----4---4-4-4-4----4-4-| E --0----X--0-----------0-0-|--0----X--0-----------0-0-| --0----X--0-----------0-0-|--0----X--0-----------0-0-| --1----X--1-----------1-1-|--1----X--1-----------1-1-| --2----X--2-----------2-2-|--2----X--2-----------2-2-| --2----X--2-----------2-2-|--2----X--2-----------2-2-| --0----X--0-----------0-0-|--0----X--0-----------0-0-| end Rhy. Fig #2 and for the rhythm under the solo, play this progression E / Bsus4 / G#min7 / Bsus4 / C#min7 / E / A/B / F#min and then play this chord progression clean Bsus4 G#min7 --11-x-x-11--x-11--11-x-11-x-x-|--------------------------------| --14-x-x-14--x-14--14-x-14-x-x-|--16--x-x-16--x-16--16-x-16-x-x-| --11-x-x-11--x-11--11-x-11-x-x-|--13--x-x-13--x-13--13-x-13-x-x-| --13-x-x-13--x-13--13-x-13-x-x-|--13--x-x-13--x-13--13-x-13-x-x-| --14-x-x-14--x-14--14-x-14-x-x-|--14--x-x-14--x-14--14-x-14-x-x-| -------------------------------|--------------------------------| E Emaj7 E Emaj7 --12-x-x-12-x-x-12-12-12--x-x-x|--12-x-x-12-x-x-12-12-12--x-x-x-| --12-x-x-12-x-x-12-12-12--x-x-x|--12-x-x-12-x-x-12-12-12--x-x-x-| --13-x-x-13-x-x-13-13-13--x-x-x|--13-x-x-13-x-x-13-13-13--x-x-x-| --14-x-x-14-x-x-13-13-13--x-x-x|--14-x-x-14-x-x-13-13-13--x-x-x-| --14-x-x-14-x-x-14-14-14--x-x-x|--14-x-x-14-x-x-14-14-14--x-x-x-| --12-x-x-12-x-x-12-12-12--x-x-x|--12-x-x-12-x-x-12-12-12--x-x-x-| play the first two measures again and then play this distorted E -------------------------------|--------------------------------| -------------------------------|-5/7-7-7-7/9-9-9-9/0-0-0-0/1-1-1| -------------------------------|--------------------------------| 2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2|-2/4-4-4-4/6-6-6-6/7-7-7-7/9-9-9| 2-2-2-2-2-2-2-2-2-2-2-2-2-2-2-2|--------------------------------| 0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0|-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0-0| The last bar is the lead guitar, the rythm keeps on playing the E. When The top line of tab goes to 0, this is the 10th fret.(1=11th fret) Play Rhythm Fig. #2 twice, but instead of playing the last measure on the second time, play this Fill # 2 A --0----0----0--0-----0---------| --2----2----2--2-----2---------| --2----2----2--2-----2---------| --2----2----2--2-----2---------| --0----0----0--0-----0---------| -------------------------------| then play this progression twice Bsus4/ G#min7 / E / E but the lead guitar plays this on the last bar of the second time -------------------------------------------------| -------------------------------------------------| --9/11-11-11-11/13-13-13-13/14-14-14-14/16-16-16-| -------------------------------------------------| --7/9--9--9--9-/11-11-11-11/12-12-12-12/14-14-14-| -------------------------------------------------| then play Rhy. Fig #2 once with Fill # 2 on the third measure. then play this Bsus4 G#min7 --0----0---0-0-0-0----0-0-|--4----4---4-4-4-4----4-4-| --0----0---0-0-0-0----0-0-|--4----4---4-4-4-4----4-4-| --4----4---4-4-4-4----4-4-|--4----4---4-4-4-4----4-4-| --4----4---4-4-4-4----4-4-|--4----4---4-4-4-4----4-4-| --2----2---2-2-2-2----2-2-|--6----6---6-6-6-6----6-6-| --------------------------|--4----4---4-4-4-4----4-4-| E --0----X--0------X----|--0----X--0---------------| --0----X--0------X----|--0----X--0---------------| --1----X--1------X----|--1----X--1---------------| --2----X--2------X----|--2----X--2---------------| --2----X--2------X----|--2----X--2---------------| --0----X--0------X----|--0----X--0---------------| hold out the E and slowly fade out and then come in with this ------------------------|-------------------------| --------2----4-----2----|--------2-----4-----2----| ----------------4-------|-----------------4-------| -----4-----4----------4-|-----4-----4-----------4-| --2---------------------|--2----------------------| ------------------------|-------------------------| ------------------------|-------------------------| -------------7-----4----|--------------7----------| --------4-------------4-|--------8-----------8----| -----6-----6----6-------|-----9-----9-----9-----9-| --4---------------------|--7----------------------| ------------------------|-------------------------| repeat again and then fade out. Solos: This is the intro solo second measure ------------------------|-------------------------|------------------------| -------------------2-4-4|-b/5--b4p2--------2h4---|------------------------| --2/4------------4------|-----------------------4-|-1---/4-----------------| ------------------------|-------------------------|--------2---/4----------| ------------------------|-------------------------|------------------------| ------------------------|-------------------------|------------------------| second measure ------------------------|-------------------------|------------------------| ------------------------|-5b4-2-4-2h4p2---7-------|------------------------| --2/4-------------------|---------------4-------4-|------------------------| ------------------------|-------------------------|------------------------| ------------------------|-------------------------|------------------------| ------------------------|-------------------------|------------------------| A.H.------------------| ------------------------|-------------------------|------------------------| --7---5-4-5-4---2h4p2---|-------------------------|-7-5-4-5-4-2-4-2---2---2| ----------------------4-|-/6---/8-1--------------|-----------------4---4--| ------------------------|--------------/4---------|------------------------| ------------------------|-------------------------|------------------------| ------------------------|-------------------------|------------------------| A.H. ----------------| N.H ------------------------|-------------------------|------------------------| --/4--------------b/7b-|--7----------------------|--7---------------------| ------------------------|-------------------------|------------------------| ------------------------|-------------------------|------------------------| ------------------------|-------------------------|------------------------| ------------------------|-------------------------|------------------------| this is the second solo -------------------------------------------------| -------------------------------------------------| --9/11-11-11-11/13-13-13-13/14-14-14-14/16-16-16-| -------------------------------------------------| --7/9--9--9--9-/11-11-11-11/12-12-12-12/14-14-14-| -------------------------------------------------| ------------------------------|----------------------| ------------------------------|----------------------| --16--16-1413/14--13--11/13--|-8----b/9---8-64-64-| ------------------------------|----------------------| --14--14-1211/12--11---9/11--|-6----b/7---6-42-42-| ------------------------------|----------------------| -----------------------|----------------------|------------------| -----------------------|----------------------|------------------| --------------86-95--|--6---/84------------|------------------| --4---4-4/6/7----------|--------------4/6-4/6-|-6---/9-2---------| --------------64-62--|--4---/62------------|------------------| --2---2-2/4/5----------|--------------2/4-2/4-|-4---/7-0---------| --------------------------|--------------------| --------------------------|--------------------| --------------------------|--------------------| --7----64/64-9----7p62-|--11----------------| --------------------------|--------------------| --------------------------|--------------------| this is the closing solo second measure -----------------|------------------|--4h2----/7--------| -----------------|--5h4---7--------|--------5----------| --2h4------------|------4-----------|------4------------| -----------------|------------------|-------------------| -----------------|------------------|-------------------| -----------------|------------------|-------------------| ------4-4h7p4-4-------------|---------------------------|-----------------| ----------------7-5-7-5-4-5-|--4-2-4-2-7---5----5p4h5/7-|-----7b97-5h7p5-| ----------------------------|---------------------------|-----------------| ----------------------------|---------------------------|-----------------| ----------------------------|---------------------------|-----------------| ----------------------------|---------------------------|-----------------| Fade out ------------------| --4--h5-----------| --------4---------| ------------------| ------------------| ------------------| Here are the lyrics Fool enough to almost be it Cool enough to not quite see it, doomed Pick your pocket full of sorrow And run away with me tommorow, gone We'll try to ease the pain, somehow Feel the same way No one knows where our secrets go I'll send my heart to all my dearies When your love is so, so dreary, dream I'm rumored to the the straight and narrow While the harlots of my perils scream And I fail, but when I can, I will Try to understand that when I can, I will Mother weeped the years I'm missing All the time can't be given back Shut my mouth and strike the demons Cursed you and your reasons Out of hand and out of season Out of love and out of feeling So bad but when I can, I will Words define the plans But when I can, I will Fool enough to almost be it Cool enough to not quite see it Told enough to always feel it Always old I always feel it No more promise, no more sorrow No longer will I follow Can anybody hear me, I just want to be me When I can, I will Try to understand that when I can, I will That complete the transcription to Mayonaise, I hope it is useful. If you have any questions call me up. Write Jon at cthrall@titan.ucs.umass.edu, which is my (Craig Thrall) account.


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    tablature mayonaise the smashing pumpkins

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