#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------# BRAS DESSUS, BRAS DESSOUS As recorded by jean marie ecay Gtr I (E A D G B E) - 'Untitled' Q=80 Bmadd11 4/4 E S S +S E S +E S S +S S E E S S +S E S +E S S +S S E ||-------------0---------0-(0)---------------0---------0-(0)------||----| ||o--------------------------------------------------------------o||----| ||------7-(7)----6-(6)---------6-------7-(7)---6-(6)---------6----||----| ||----9--------------------------9---9-------------------------9--||----| ||o--------------------------------------------------------------o||----| ||--7------------------7-----------7-----------------7------------||----| Bmadd11 Bbm6b5 Amadd6 Abm7add11 G Gtr I E S S +S E S +E E +S E S +S E S +S E S E S S +S E S ||-------------0-------------0-------7-5-(5)----------------------| ||o------7-(7)---7-(7)-7-(7)---7-(7)---------7-3-----------2-3----| ||-----7---------6-(6)---------5-(5)-----------------4-(4)--------| ||---------------5-(5)-----------------------------4--------------| ||o----------------------------0-(0)------------------------------| ||---7-----------6-(6)---------------------------4----------------| N.C. F#7b13 F7add6 Eb E S S +S E S E S S +S E S +S E S +S E S +E S S +S E. |---------------------------------3-1-(1)-----------------------| |-----------2-3-----------2-3-(3)---------3---------------------| |-----0-(0)---------3-(3)---2-(2)-----------3-(3)---------2-----| |---0-------------2---------------------------------5-(5)-------| |-------------------------------------------------6-------------| |-3-------------2-----------1-(1)-------------------------------| E7b5 A7 Dm7 F Bm7add11 E S S +S E S E E E E E S S +S E S E S S +S E S E S S +S E. |-----------------------------------------------5-------------------| |-------------------5-6-8-6-6-(6)-5-6-----6-(6)---5-----------5-----| |-3-2-3-(3)-5-6---7-----5-5-5-(5)-5-5---5---------------7-(7)-------| |-----------------------------------------------------7-------------| |---------------0-------5-------------------------------------------| |-0-----------------------------------8-------------7---------------| 1. 2. Bb7b5 A7 Bb7b5 A7 E S S +S E S +S E S +S E. E S S +S E. E. S +E S S E. S +Q |---------------------------------||---------------------------------------| |-----------5--------------------o||-----------5-----5-(5)--------5-(5)----| |-----7-(7)---7-(7)-6-4-(4)-6-----||-----7-(7)----6------------6-----------| |---6-----------------------------||---6---------------------7-------------| |-------------0-(0)--------------o||--------------0--------0---------------| |-6-------------------------------||-6-------------------------------------| F#m E D E S S +S E S E S S +S E S E S S +S E S E S S +S E S |---------------------------------9---------------------------7------| |------10-(10)--9-10------10-(10)---9-----9-(9)-7-9-----9-(9)---7----| |------11-(11)-11-11---11---------------9-------------9--------------| |---11---------------------------------------------------------------| |-9------------------9----------------7-------------7----------------| |--------------------------------------------------------------------| C#m E S S +S E S E S S +E E E S S +S E S E S S +E E |-------------------------5-0-----------0----------------| |-----7-(7)-5-7-----7-(7)-------------5-------------5----| |---7-------------7-------------6-(6)---------6-(6)------| |-----------------------------6-------------6------------| |-5-------------5-----------4-------------4--------------| |--------------------------------------------------------| Bm7 A7add11 E. S +S E S E S S +S E. E. S +S E S E S S +S E S |---------------------------------------------------------| |-5--3-(3)-2-3-----------5--3--2-(2)---2-------------2----| |------------------2-(2)----2--------4-------2-(2)-4------| |----------------4-------------------------2--------------| |-2------------2------------0------------0----------------| |---------------------------------------------------------| G F7add11 F7 S E S +E S S E. S +E E E S S +S E. E. S +E S S E. S +Q |---------------------------------------------------------------||----| |-2-h3--------------3-(3)-------------2-----2-(2)--------2-(2)-o||----| |------4-(4)-----4--------4-4---4-(4)----3------------3---------||----| |--------------0--------------2---------------------2-----------||----| |--------------------------------------------------------------o||----| |-3----------3--------------2------------2--------2-------------||----| D F# G Emadd11 E S S +S E S E S S +S E. E S S +S E. E S S +S E. ||--2---------2-0-----------0--------------------------------| ||o-----3-(3)-------------------3---------3--0---------------| ||----2---------------6-(6)---------0-(0)--------2-(2)-0-----| ||--0---------------4-------------0------------2-------------| ||o----------------------------------------------------------| ||----------------6-------------3------------0---------------| B Badd11 B E. S +E E E. S +E E E. S +H. |---------------------------------||----| |--------------------------------o||----| |----4-(4)------4-(4)------4-(4)--||----| |-4--------4-2--------2-4---------||----| |-2----------2----------2--------o||----| |---------------------------------||----| -------------------------------------------------------------------------------- Duration Legend --------------- W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura + - note tied to previous; . - note dotted; .. - note double dotted Uncapitalized letters represent notes that are staccato (1/2 duration) Irregular groupings are notated above the duration line Duration letters will always appear directly above the note/fret number it represents the duration for. Duration letters with no fret number below them represent rests. Multi- bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low melody durations appear below the staff Tablature Legend ---------------- h - hammer-on p - pull-off b - bend pb - pre-bend r - bend release (if no number after the r, then release immediately) / - slide into or out of (from/to "nowhere") s - legato slide S - shift slide- natural harmonic [n] - artificial harmonic n(n) - tapped harmonic ~ - vibrato tr - trill T - tap TP - trem. picking PM - palm muting / - tremolo bar dip; n = amount to dip - tremolo bar down n/ - tremolo bar up /n - tremolo bar inverted dip = - hold bend; also acts as connecting device for hammers/pulls <> - volume swell (louder/softer) x - on rhythm slash represents muted slash o - on rhythm slash represents single note slash Misc Legend ----------- | - bar || - double bar ||o - repeat start o|| - repeat end *| - double bar (ending) : - bar (freetime) $ - Segno & - Coda Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths -------------------------------------------------------------------------------- ** Generated using Power Tab Editor by Brad Larsen: The Official Power Tab Web Site ======================================================== Tablature Bras dessus bras dessous, de Jean-marie ecay ========================================================
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