CARCASS

Tablature inpropagation

Carcass
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Format : Inpropagation, Carcass
Version #1668 mise en tablature par bubus
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Inpropagation, Carcass

#----------------------------------PLEASE NOTE---------------------------------# #This file is the author's own work and represents their interpretation of the # #song. You may only use this file for private study, scholarship, or research. # #------------------------------------------------------------------------------## From: psw@dcs.ed.ac.uk (Peter Wishart) Date: Sun, 4 Jun 1995 10:55:23 GMT Subject: TAB: "Inpropagation" by Carcass Inpropagation by Carcass From the album "Necroticism - Descanting the Insalubrious" Transcribed by Peter Wishart Yo, carcass fans! Necroticism is my favourite album of all time so here is the first track INPROPAGATION, all 6 mins of it. A couple of the solo bits are a bit touch-and-go but the cool riffs'n'things should be spot on...:) Mail me with any suggestions/improvements/ comments/etc at psw@dcs.ed.ac.uk as I dont read the tab newsgroups much. I think i'll do HEARTWORK next, or maybe HUMAN JIGSORE QUANDARY (but that one is almost TOO atonal in places :) Guitar tuned 5 steps lower - B E A D F# B low to high (although I suppose it could be B E A D G B to match a 5-string bass but that complicates things :) _full _1/2_ Notation legend: 3' is a full tone bend, 3' ` is a semitone bend and release. The [ lines separate the alternate endings for a bar. <p.m> is palm muting, <l.h.m.> is left hand muting. And / is a slide up, is a slide down. spooky intro bitty... High and low synths arr. for guitar Continous Droning tremolo arm bombs.. x5 |-------------------------------------|-0-1-0-4-0-1-0-4-0-1-0-4-0-1-0-4-| |0-----------------------------------|---------------------------------| |0-etc.-----------------------------|---------------------------------| |0----------------------------------|-2-----------------------0-------| |------------------------------------|---------1-------0---------------| |-------------------------------------|---------------------------------| (I don't have a tremolo arm so this is just a guess :( ) 1<p.m---> 2 w/heavy p.m 1<p.m--> 2 |------------------------[---------[---|-------------------------[--------[---| |------------------------[---------[---|-------------------------[--------[---| |------------------------[---------[---|-------------------------[--------[---| |98-----76-----54-----[---------[---|-------------------------[--------[---| |76-----54-----32-----[---------[-2-|7766----5544----3322-----[--------[-2-| |----6-7-----4-5-----2-3-[-0-0-0-0-[-0-|----6677----4455----2233-[0-0-000-[-0-| (%) 1 2 3 <p.m--------> 4 |---------------[------------[-------------[--------------------[--------------| |---------------[------------[-------------[--------------------[------------9-| |---------------[------------[-------------[--------------------[-----------9--| |9-------6---5--[---4--------[---/10-9-----[-4------------------[---/10-9--9---| |7-----5-4-4-3--[-3-2-2------[-3-/8--7-----[-2-3-2-2-2-2-2-2-2--[-3-/8--7------| |--0-0-3---2----[-1---0------[-1-----------[---1-0-0-0-0-0-0-0--[-1------------| 1,3 2,4 |----------------------------------[--------[--------| |----------------------------------[--------[--------| |----------------------------------[--------[--------| |9-------6---5-4----9-------6---5--[-3------[-8------| |7-----5-4-4-3-2-3--7-----5-4-4-3--[-1------[-6------| |--0-0-3---2-----1----0-0-3---2----[--------[--------| w/synth+overdubs |------7-------------------------5--------------------------------| |----7--8-7--------------------5--6-5-----------------------------| |---9-9----9------3-4-3----7--7-7----7----------------3-----------| |9------------6--6-6---6---7-----------8-----2--------3-----------| |7------------6---------6--5-----------8-----2--------1------4--3-| |0------------4------------------------6-----0---------------2--1-| |------7-------------------------5--------------------------------------| |----7--8-7--------------------5--6-5-----------------------------------| |---9-9----9------3-4-3----7--7-7----7-10-1210-1210---------3-----------| |9------------6--6-6---6---7-----------10-----------2-------3-----------| |7------------6---------6--5-----------8------------2-------1------4--3-| |0------------4-------------------------------------0--------------2--1-| (#) |----------------------------|--------------------------------------| |----------------------------|--------------------------------------| |----------------------------|--------------------------------------| |9--------6---9-------6---10-|-9-----------6----9----------6----10--| |7--5--3--4---7--5--6-4-8-8--|7-7--5---3--4-4--7-7--5---6--4--8--8--| |---3--1---------3--4---6----|----3-3-1-1----------3-3--4-----6-----| <w/pm and trem. picking--->x2 1 2 |----------------------------|------------------------------------[----[---| |----------------------------|------------------------------------[----[---| |----------------------------|------------------------------------[----[---| |9--------6---9-------6---10-|----------------6--------------6----[-10-[---| |7--5--3--4---7--5--6-4-8-8--|-------5--------4--------5---6-4--8-[-8--[-3-| |---3--1---------3--4---6----|000000-3-000000---000000-3---4----6-[----[-1-| (*) |----------------------------------------------------------------------------| |----------------------------------------------------------------------------| |----------------------------------------------------------------------------| |-------------------------------------------------------------------------2--| |-----------/8--------------------------/5--------------------------8--3-5-2-| |00000000000--666666666666-000000000000--666666666666-000000000000-6--1-3-0-| Lead fills over the tab from (%) to (#) |---------------------------|--------------------------------------------------| |---------------------------|--------------------------------------------------| |---------------------------|--------------------------------------------------| |98-----76-----54--------|--12h15p12--12------------------------------------| |76-----54-----32------2-|----------14--14-1211--11------------------------| |----6-7-----4-5-----2-3--0-|----------------------13--13-12-10-12h13-1210/12-| <p.m.------------------------------------------> |-----------------------------------------------------------------------------| |-----------------------------------------------------------------------------| |-----------------------------------------------------------------------------| |-----------------------------------------------------------------------------| |-----11h12p11-------12h14h15p14p12----11h12h14p12p11-------------------------| |12h13--------12---13----------------12---------------12-13-12-10-12----------| |------19p16-------------------------------------| |----18-----18-------------18---17h20p17--17~~~--| |--19---------19p16--16h19--------------19-------| |18----------------18----------------------------| |------------------------------------------------| |------------------------------------------------| <p.m.--------------------------> _full_ |--------------------------------------------|------------17'------`----------| |15-13-12-------------------------12-15-17h20p17~~~-15h17------------17p15h17-| |--------14-13--------------13-14------------|--------------------------------| |-------------15-14-12-14-15-----------------|--------------------------------| |--------------------------------------------|--------------------------------| |--------------------------------------------|--------------------------------| The rhythm figure from (%) keeps going for 3 more bars, ending at (#) Solo:Compost humous horticulture E5 G#5 D5 A#5 |------------------_full----------------------------------| |---------7h8---10'-------10-8-----------------7-7h8p7-7--| |-9~~~-------------------------7~~~---777---9---------9---| |------------(10)-----------------------------------------| |---------------------------------------------------------| |---------------------------------------------------------| E5 G#5 _full_ D5 E#5 _1/2_ (p.s) |---------------10'------`----8-7---777-8-10-------7--7'-----`-----|----------| |---------7h8--------------------------------10-10-------------10--|----------| |-9~~~-----------------------------------------------------------109-----x--| |------------(10)--------------------------------------------------|2-----x-| |------------------------------------------------------------------|2-----x-| |------------------------------------------------------------------|0--------| Play from (#) to (*) then: Riff B x2 ~--|-------------------------------------------| ~--|-------------------------------------------| ~--|-------------------------------------------| ~--|-----2-3---3--------------2-3--------/10-9-| ~-2|-----0-1---1--5-3-2-------0-1--5-3---/8--7-| ~-0|-0-0----------3-1-0---0-0------3-1---------| w/Riff B Solo: Humanure |------------7h12p7--------------------------------------| |----------8--------8------------------------------------| |--------9------------5/7~~~----9h10p9--7--6h7p6---------| |------9------------------------------------------87/8--| |-7-10---------------------------------------------------| |--------------------------------------------------------| <p.m.------------------------------> |-------------------------------------------767777-121212-10h12h13~~~---| |------------------------------------878888-----------------------------| |-----------------------------989999------------------------------------| |----------------------989999-------------------------------------------| |--767777--10910101010--------------------------------------------------| |-----------------------------------------------------------------------| |-/22~~~p19-----------------------22~~~(19)----------6/12-15-12-13---------- |/---------20----------------17/21--------20----------|-----------15-12-13-- |------------21-17~~~---14h17---------------21/22-----|--------------------- |-----------------------------------------------------|--------------------- |-----------------------------------------------------|--------------------- |-----------------------------------------------------|--------------------- --------------------------------------------------|------ -15/1815-13-12-13-15-13-12--12-------------------|------ ---------------------------14--14-12-14/16-14-12--|------ ------------------------------------------------15|14~~~- --------------------------------------------------|------ --------------------------------------------------|------ (!) <p.m.> <p.m.> |-----------------------------------------------------------------------| |------------------------------------------------13--12h13p12-----------| |------------------------------------------------12--12-------12--------| |2--6-5---------5--5---9/10-76--/13--12------------------------12~~~--| |2--6-5---------5--5---7/8--54--/11--10--10-10------------------------| |0--4-3--3-3-3--3--3---------------------------------------------------| <p.m.> <p.m.> |----------------------------------------------------------------15~~~--| |------------------------------------------------13--12h13p12----15~~~--| |------------------------------------------------12--12-------12--------| |2--6-5---------5--5---9/10-76--/13--12-------------------------------| |2--6-5---------5--5---7/8--54--/11--10--10-10------------------------| |0--4-3--3-3-3--3--3---------------------------------------------------| <lh+p.m> <lh+p.m> <lh+p.m> <lh+p.m> 1 2 |-----------------------------------------------[---------[--------| |-----------------------------------------------[---------[--------| |-----------------------------------------------[---------[--------| |--------6------------6------------6------------[-6-------[------3-| |--------4-6----------4-5----------4-6----------[-4---5---[--------| |31013101--4-31013101---3-31013101---4-31013101-[---0-3---[-0-3-4--| <Riff C1--------><Riff C2-------->x4 (second two times with roots+fifths |-----------------------------------| i.e. power chord shapes) |-----------------------------------| |-----------------------------------| Play from (!) to here |---------3-2-------------3-2-------| |-----5-4---------------------4-5---| |-0-6---------3-4---0-3-4---------6-| <Riff D1------------><Riff D2---------->x2 |-----------------------------------------| |-----------------------------------------| |-----------------------------------------| Play Riff C x4, Riff D, Riff D1 |-----------------------------------------| (333|6)6-6-6--6-4-4-4--444-5-5-5--5-3-3-3-| (111|4)4-4-4--4-2-2-2--222-3-3-3--3-1-1-1-| ^2nd time <Riff E1-----------------><Riff E2---------------------> ~---------------|--------------------------------------------------------| ~---------------|--------------------------------------------------------| ~---------------|--------------------------------------------------------| ~---------------|----------------3/4-4/5-5/6-----------------76-65-54-| ~-444/5--5--3-3-|2-------32-----1/2-2/3-3/4-5-------63-----54-43-32-| ~-222/3--3--1-1-|0-0-0-0-1p0-0-0----0---0----3-3-3-3-43-3-3----0---0----| Play Riff E1, Riff C1, Riff E x2 Outro p.m p.m |----------------------------------------------------------------------------| |----------------------------------------------------------------------------| |----------------------------------------------------------------------------| |2--------------76-65---------------9---------7---6------98-----76-------| |2--------------54-43---2-3---------7-------6-5-5-4------76-----54-----2-| |0----------0-0----0------0-1-----2-3-----0-0-4---3------------7-5-----3-5-0-| |-----------------------------------| |-----------------------------------| |-----------------------------------| |-2---------2---------2---------2---| |-2---------2---------2---------2---| |-0---------0---------0---------0---| <spoken introduction> A body is commited to a public mortuary. Any victim of sudden or unexpected death will be brought in for a post-mortem by a pathologist : their job is to establish the cause of death. But sometimes a body is unrecognisable. Then it is vital, especially if murder is suspected, to establish identity... Insipid fumes bellow from the atrabilious chimney Whilst in the sanctified crevet I calmly pillage and rake For hot dry powdered human slag Still steaming in the crematorium's gate Bio-organic ebullition, bones tar, tallow dehydrates For my deleterious horticulture so that I may cultivate Your mortal mechanism dies - in nutrients rich In the hallowed turf you lie - just for the taking Charred sinew's as good as lime, no phosphates do I need Deteriorated flesh used as top-soil, to replenish and nourish seed Spreading the human potash, as ash matured Recycling my rich harvest, bring out your dead - for use as manure Irrigating tears are shed, but the ground must still be fed, And there's no rest for the dead Tipping and dusting up the spilt contents of urns Every morsel that glows as embers on the fire Extinguishing all hope of beatrific dispatch These charred chassis desired Exequiet rites now performed, a coronach sooting up the flu Enter my execrable inferno, even in the afterlife there's work to do The nitrogen content's high - but the flesh is weak At the graveside mourners cry - your're never to wake again Burnt brisket renews the ground, to germinate my seed Cremated bodies are my spoil, to use them as plant feed Ploughing this abhorrent human manure Seedling my rich harvest, bring out your dead - for the soils to devour Dry the dead are bled, because the ground must be fed, And there's still no rest for the dead I propagate - dust in the grate Ashes to ashes - dust to dust, diluted in water and sprayed on crops, Charcoal, fats, flesh and soot fetilising pasture with active fertile rot Incumbent - latent calories are spent Ashes to ashes - dust to dust, renewing the land with corpses corrupt Mortuary scrapings, hearses a must, to the hot hearth the deceased are trussed Harvesting the defouled, to fertilise my soil Rejuvenating the spent with my fecundate spoils Reaping the gone, to nourish the land Replenishing exhausted pasture with my uncanny sleight of hand Restoring the natural balance, sowing my seed Dafalcating the departed, I rapt and glean... So I recite my contrite lament, lacrimation for the dead Their rest which I disturb... Where should stand row upon row of cold grey remebrance stones My cash crops now grow...


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Les Maîtres Du 19è Siècle

Les Maîtres du 19è Siècle
Type : Partition
Edition Lemoine

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tablature inpropagation carcass

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